Vocal fakery - how likely is it in k-pop? Fuckin' likely.

Vocals in k-pop.  Everybody wants me to write about it, but there's not a lot to say because nobody with a brain cares.  The reasons why nobody with a brain cares are:

• A good singer's good vocals don't make a bad song any better.
• Most k-pop vocal performances are faked on some level so assessing them is like complaining that the bunny a magician pulls out of their hat was never really in there.

The first point should be basic common sense to anyone (except vocalfags), so let's talk about the second point.  What techniques are used to get good vocals out of someone who can't sing well, or didn't sing well in a particular circumstance... and how likely is k-pop to be using them?  Let's find out!  (Spoiler alert: fuckin' likely.)

An Introduction to Vocal Faggotry, Part 2: The Technique

Yes, this is Younha showing off her cleavage, and yes this picture is relevant to the article.

Welcome to part two of the introduction to vocal pedagogy, in this part I will teach you about the science that is behind the voice. Hopefully, you'll be able to come away from this article with knowledge on strain, resonance, pitch, support etc.

In a nutshell, vocal pedagogy (vocal technique) is the study of the science in the field of singing. Since vocal technique is directly related to science, it is a good way to use it to judge a vocalist or a performance accurately and objectively. Vocal pedagogy consists of the following:

• Physiology of singing
• Breathing in singing
• Posture
• Phonation
• Intonation
• Resonace
• Tone production
• Vibrato
• Vocal articulations
• Vocal diction
• Vocal registrations
• Vocal health
• Vocal styles
• Voice classifications
• Coloratura

This shall be explained after the jump, like the previous post, this is also very text heavy so I've tried to break it up with nice images.

Why you don't sound like an idol - inside vocal production

There's plenty of people these days who know all about the voice and the physiology of singing.  I guess the obsession with vocal knowledge is the cancer that idol TV shows (east and west) have inflicted on the world by continually treating music as a competition with measureable objective standards that don't exist in reality instead of as an entertainment art.  It's one motherfucking boring topic that I couldn't be fucked covering, but I know a lot of people love it and do cover it which is great because it saves me the trouble.  However, how many people know about what happens after the voice leaves the throat and before it gets on a recording that you listen to?  If you've ever wanted to know any of that shit, this post is for you (and if you didn't, you can stop reading now and go fap to Girl's Day videos, bye bye).

An introduction to vocal faggotry, part one: The Voice

As many of you might know, Chuck thought it would be a good idea to put me on the AKF roster because I'm a "vocal fag" and it would be interesting to see how I counter composition fags such as Kpopalypse. I haven't really been living up this title as I've only actually posted one article on here where I talk about vocals - albeit quite briefly.  Since many of you seem to enjoy Kpopalypse's articles on composition and whatnot, I thought I'd introduce you all to the science behind the world of singing.

This "lesson" will come in two parts because vocal pedagogy is very vast and there's only so much text you can read in one post. The first part will focus on the voice, and the second part will focus on the technique behind the voice.

WARNING: This article is text and video heavy, therefore I've added some pictures of K-Pop idols to make it more tolerable. I tried to cut out any irrelevant information, but there's only so much I can do when it comes to a science.